Underground Feed Back Stereo – Brothers Perspective Magazine – Personal Opinion Database – Urban Mau Mau Against Redlining and Gentrification Out Takes 32 (Don’t Emulate Oppressors) #brothersperspectivemagazine #blackart #75dab #freedom #reparations

Underground Feed Back Stereo – Brothers Perspective Magazine – Personal Opinion Database – Urban Mau Mau Against Redlining and Gentrification Out Takes 32 (Don’t Emulate Oppressors) As the Brothers Travel Into a new dimension of these creative Broadcasts, we present to you the Parts that didn’t make pass predatory lending or the museum doors to show our art because of the ongoing gentrification from the stolen land land settlers feeding bad meals that lead to high blood pressure and diabetes mellitus. Adding bonus venting moments that detail the exploitation of entire populations around the world, gas prices, climate change, global warming,

performed by predatory pathological maniacs. So we fight ferociously against Redlining and its unethical practices even though Black Folks may have good credit ratings, great income from horrible jobs and perfect qualifications to get approved for a loan from a predatory loan generator on high interest C Notes but still getting denied. Its the mind you must maintain against colonial genocide. This also happens with the endless rejection letters from art galleries etc. No respect to you! Sound Art? Tune in to these educated brothers as they deliver Personal Opinions for Brothers Perspective Audio Feedback #diabetes #75dab #basketball #nyc #fakereligion #war

#neverapologize #brooklyn #guncontrol #birthcontrol #gentrification #stopviolence #blackmusic #chicago #southsidechicago #blackart #redlining #maumau #biko70 #chicago #soldout #PersonalOpinionDataBase #protest #blackart #africanart #gasprices #undergroundfeedbackstereo #blackpeople #race #brothersperspectivemagazine brothersperspective.com undergroundfeedbackstereo.com joelefthandrecords.com

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In Memory of: Peter Williams (Black Artist) March 18, 1952 to August 19, 2021 #peterwilliams #artist #painter

The Artists’ Legacy Foundation described his work as thus: “For more than four decades, Williams has created artworks that explore contemporary culture, racism, police brutality, incarceration, environmentalism, and voyeurism through an approachable visual style. His paintings encourage the viewer to look deeply at the canvas for clues and insight about the Black experience. For example, pattern and distortion represent the conditions and circumstances that disrupt Black lives. Defying categorization, his painting style incorporates varying levels of abstraction, figuration, narrative, and iconographic elements. He draws inspiration from posters, comics, and the vibrant colors of city life.”

Eve Aschheim has written that “Peter Williams is a unique and unpredictable voice on the scene. He is one of the most poignant artists of our time to address themes of race and politics, and his raw, edgy work risks making the viewer uncomfortable, and resists assimilation into the decorum of the art world. His outstanding paintings transcend categories, as he forges realism, fantasy, cartooning, bold color, symbols, personal iconography, humor, and the news to unforgettable effect.” Wikipedia

Williams was born in 1952, in Nyack, New York, and earned a B.F.A. from the Minneapolis College of Art and Design and an M.F.A. from the Maryland Institute College of Art. At 17, he was given his first solo show, at the Pat Merenstein Gallery in Nyack, which led to more shows in the region, including one at the Woodstock Music Festival.

A car accident during a college trip to New Mexico led to the loss of one leg; he had lifelong pain. He cited the trauma as a major influence on his practice, in particular the use of a recurring cast of characters as means to tell stories of hardship and triumph.

Williams was known as a passionate mentor and had recently retired from from the fine arts department at the University of Delaware, which he joined following a 17-year tenure at Wayne State University. His many accolades include the Artists’ Legacy Foundation’s 2020 Artist Award and a 2021 Guggenheim Fellowship.

Williams’ paintings are held in the permanent collections of the Smithsonian American Art Museum, the Walker Art Center, the Whitney Museum, and the Detroit Institute of Arts, among other institutions. His work appeared in the 2002 Whitney Biennial and the 2017 edition of the Prospect New Orleans triennial, and examples are slated to appear in a solo show at Luis De Jesus next year. Art News